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  Black wisely keeps those slower, quieter moments low, though, and The Predator moves along with a pace that doesn’t enable you to dwell long on the many call-outs for the earlier films which can be packed - and occasionally forced - in to the story watch action movies , relying instead on its monster and eccentric ensemble to brush the audience along. That pace occasionally makes all the film feel somewhat disjointed since it suddenly swings in one extreme towards the other using its comedy and gory action, even so the ride rarely stops being entertaining.
  
  It’s less than the complete package which the 1987 original was - and the well-received 2010 installment, for instance - but The Predator does deliver about what its trailers and preview buzz promised. Easily by far the most intentionally funny chapter on the franchise (as opposed towards the campy, unintentionally funny Alien vs. Predator crossover films), The Predator should likewise satisfy the series’ more hardcore fans using the way it builds on the series’ lore and puts an innovative coat of paint on classic elements.
  
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